Elegiac Cycle. Brad Mehldau. Complete Transcriptions and Analyses, by Philippe André. Editions Outre Mesure, 36 Rue Pascal, F, Paris, France. Tuesday September 27, A complete transcription of Brad Mehldau’s record, Elegiac Cycle, has been released in France. Philippe André has transcribed. Results 1 – 6 of 6 Elegiac Cycle Brad Mehldau Transcription et Analyse P. Andre by Mehldau Brad and a great selection of related books, art and collectibles.
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One could write a substantial thesis about published jazz transcriptions, to consider their use and misuse, their history, the writing of transription, and the quality of what is published and available, the good, the bad and the inaccurate. That can be exciting and rewarding. Philippe Andre is the musician who made this transcription, and it was really fun to view that.
Brad Mehldau – The Art of Solo Piano – Jazz Online
Of course, one could simply enjoy playing, or attempting to play, the transcriptions. Live in Marciac is your third solo recording. No CD is provided, but Mehldau’s recordings are widely brar.
Each solo record has been kind of a turning point for me — an end of one thing, and a beginning of something else. But what he is able to say musically as a soloist within the context of each song combined with his improvisations is simply masterful. Tell us about the concept behind the music scroll?
It is the brqd related to where I am now as a solo player. Though none of these types of analysis excludes it, few analysts have approached jazz. I draw on a lot of classical music, pop and rock meh,dau, music from Brazil, and other stuff. I have several ideas before I go out on the stage, and I usually stick to around half of them.
Brad becomes Bard, and by similar processes – of mirroring, stretching, contracting, ordering, etc. Particularly favoured during the last fifty years is the technique developed by the Austrian Heinrich Schenker The fact that many types of analysis exist gives us the hint that no single analytical process prevails, though by the s Schenkerian Analysis had become one of the main methods taught by progressive North American music colleges and university music departments.
Analysis frequently forms part of any contemporary university course in music. Used by permission, reproduction forbidden. Can you describe how transcriptikn negotiate between the two styles in your playing? Search this site Loading. Few jazz educators value the types of analysis favoured by the establishment. Here it refers to a musical anagram, a play on the letters of Mehldau’s first name. I have interviewed Brad many times over the years but this is the first time we focus exclusively on his approach to his solo work.
I listen to it for pleasure and enjoyment, and then a lot of it filters out in my playing. His breathtaking command of his elegiwc is undeniable. The elegiacc are given in full notation, tarnscription two staves, with no chord symbols.
For instance, if I play something that goes much longer than I originally intended, I will skip something else. But there are also great things that have come out of the newer technology, and there was this opportunity to see and bdad my music in a different way. The core of your playing successfully balances jazz and classical influences.
Mehldua had the idea of maybe presenting it in a scrolling format, as something that musicians, amateur or professional, might find interesting.
Brad Mehldau – The Art of Solo Piano
His blend of jazz and classical styles, the American Mehlsau, unique covers of pop tunes and originals all seamlessly blend into a fulfilling and varied musical experience. How do select what pop song to cover? And what variety we find: Jazz Online put a little jazz in your life. But I was going out for an encore and thought of it at the last moment, and it turned out to be for me anyways, one of the more compelling performances in the set — it had that story to it; it just kind of unfolded.
All musical analysis lies between description and prescription. Today, the predominance of the Schenkerian approach, and its use as a sort of senior common-room badge of withitry, is in decline. Commentary is printed in the form of a parallel text, French and English, more slegiac fifty pages altogether. Ultimately I think of myself as an improvising jazz musician at the end of the day, and one of my talents I guess is assimilating all of that written stuff and making it part of what I do.
The conceptual unity of Elegiac Cycle mehldu described as being ‘distilled in the themes of different tracks. The pieces are all constructed on the basis of two very short melodic motifs. Virtuosic pianist Brad Melhdau first made his mark in the jazz world in with his debut recording Introducing Brad Mehldau and then in the classical arena in with his release Love Sublime with vocalist Renee Fleming. Live In Marciac is the beginning of a freer approach, I would say, and maybe more ease and fluidity in a musical texture with several simultaneous voices.
To consider jazz from any analytical perspective requires one to work from a transcription, a good transcription in itself being an analytical statement.
The challenge there though is to make something with integrity — something that has a story to tell.