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Argentine poet Alejandra Pizarnik’s last works before her suicide in. Pizarnik states in the conclusion to La condesa sangrienta that she was fascinated. Trove: Find and get Australian resources. Books, images, historic newspapers, maps, archives and more. Results 1 – 30 of 31 La condesa sangrienta by Pizarnik, Alejandra and a great selection of related books, art and collectibles available now at

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Alejandra Pizarnik April 29, — September 25, was an Argentine poet. She also had a marked habit of gaining weight.

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These contingencies seriously undermined her self-esteem. Because of her negative body image and her continual comparisons to her sister, Alejandra’s life became even more complicated.

For this same reason, it is possible that she began to take amphetamines—the same drugs that she became strongly addicted to– which caused long periods of sleeping disorders such as euphoria and insomnia. Soon after, she studied painting with Juan Batlle Planas. She was a profound reader of many dignified authors during her lifetime.


From the novels read she delved into more literature with similar topics to learn from different points of view. Doing this sparked an interest early on for literature and also for the unconscious, which in turn gave her interest in psychoanalysis.

She wrote poetic books of notary sensitivity and cndesa restfulness for insinuating imagery. The topics of her books focused on loneliness, childhood, pain, and more than anything, death.

Between and Pizarnik lived in Paris, where she worked for the magazine Cuadernos and other French editorials.

Alejandra Pizarnik – Viquipèdia, l’enciclopèdia lliure

She also studied French religious history and literature at the Sorbonne. She returned to Buenos Aires inand published her best-known books of poetry: She was awarded a Guggenheim Fellowship in[5] and in a Fulbright Scholarship. Pizarnik ended her life on September 25,by taking an overdose of Secobarbital sodium [6] at the age of From Wikipedia, the free encyclopedia.

A Profile, by Alejandra Pizarnik.


Writing female transcendence: Alejandra Pizarnik’s La condesa sangrienta

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