GASPARD DE LA NUIT ONDINE PDF

GASPARD DE LA NUIT ONDINE PDF

Jul 13, 2020 History by admin

Print and download in PDF or MIDI Ondine. Ondine is the first movement in the suite Gaspard de la Nuit by French Impressionist composer. where distinct motifs are introduced and developed, Gaspard de la nuit is hardly a Mozart sonata. Ondine, Le. Gibet, and Scarbo are polyrhythmic and polytonal. Check out Gaspard de la nuit: I. Ondine by Mihaela Ursuleasa on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on

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Gaspard de la nuit (Ravel, Maurice) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

Program Information Past Commissions Apply. Gaspard de la nuit, composed inis dr once the most demanding and the most revolutionary of his keyboard works, and altogether the most remarkable.

The title identifies the inspiration for ondien work: Gaspard de la nuit was a book by Aloysius Bertrandactually named Louis Bertrand which contained verses, prose-poems and drawings relating to fantasies of imps, devils, nymphs, ill-fated lovers, and death and nightmares.

In his preface to the book, written about and published posthumously inBernard identified “Gaspard de la nuit? Ravel wrote that his own Gaspard “has been the very devil to write, which is only reasonable since He is the author of the poems.? It is also the very devil to playbecause Ravel determined that it should be. He stated that in composing it he had as one of his objectives simply creating greater challenges for the pianist than Balakirev had fe in his “Oriental fantasy?

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Islameyhe went beyond that example, and beyond the Mephisto Waltz of Liszt, to achieve his extraordinary mixture of superhuman technical demands and sheer poetic evocativeness. Ondibe selected three of Bertrand’s fantasies as gazpard for musical treatment, and had the texts printed in the score. The three pieces and their accompanying texts as translated are: Do you know what you hear?

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Handfuls of rain that I’ve thrown against your window, thrown by me, Ondine, spirit of the water.? The drops run down the glass, each with a point of moonlight for its gasparf, and there on her castle’s terrace, her silks rustling like leaves, a woman contemplates the stars and the sky and the restless lake.

My father strikes the water with an alder branch. My sisters clasp the green islands in arms of white foam; they life the water lilies and move the rushes or tease the ancient willow casting its line of leaves in the scampering water.? When she had breathed her song, she begged me to put her ring on my finger, to be gsapard husband and sink down with her to her submerged castle and be king of all the lakes.

I told her I loved a mortal woman.

Saddened and angry, she dissolved in tears and laughter, vanished in the rain, in streams of white across the dark night of my window. Is it the gasp of the winter wind, or did the hanged man on the gallows [the gibbet] give out a sigh?

Was it a frog that croaked down there by the stagnant pond, or the creaking fingers of ivy strangling the tree? Or the buzz onfine a fly hunting after raw flesh, knocking against those ears which are deaf to the gaspqrd bell? Or the winged beetle plucking a blood-soaked hair from the skull? Or the swing of the spider knitting a scarf gray as the dust, a shroud for the broken neck?

The clock strikes the hour. The walls of the town harden against the sky. The carcass of a hanged man glows in the dying oondine. In the agspard of night, when the moon was a silver mask on a dark wall, the stars a swarm of bees with stings of pircing light; heard his laugh in a dark corner, and the grate of kndine nails on the counterpane. I’ve seen him drop from the ceiling, twirl and roll across the floor like a spindle dropped by a dark enchantress at her wheel. Did I think he had vanished?

He rose up between me and the moon, high and narrow as a Gothic steeple, a great bell swaying in his head. And then his form utterly changed?

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Gaspard de la nuit (Ravel, Maurice)

While most of Ravel’s orchestral works are his own arrangements of music he composed originally for piano one nuti call them “transcriptions,? Most musicians tended to agree ve that notion? Constant, born in Bucharest on February 7,left after his graduation from the conservatory there in and has lived in Paris since then.

In he became musical director of Roland Petit’s Ballets de Paris, and two years later the same year his most ambitious orchestral composition up to that time, the 24 Preludes for Orchestra, was given its premiere by the Orchestre National de l’ORTF under Leonard Bernstein, to whom Constant dedicated that work.

Since then he has been constantly active as a composer, a conductor and general activist for contemporary music. Ed 40 years ago Constant also composed music for the television series The Twilight Zone.

Ravel felt he had achieved a “Russian? Marius Constant, in introducing his orchestral version of Gaspard de la nuitadvised that he had in general followed Ravel’s own orchestral style, as exemplified in La Valse, and had also taken some cues from Ravel’s remarks to pianists with whom he discussed what he had in mind in indine way of performance of his Gaspard. Marguerite Long, who was very close to Ravel, reported that he urged another celebrated interpreter of his keyboard works, Vlado Perlemuter, to play the opening measure of Scarbo “like a bassoon,?

At the same time, Constant pointed out that he had “introduced new instrumental combinations and attempted to enlarge the sound-spectrum by “ignoring some of the taboos still in force in the various handbooks on orchestration.? In other words, what he has given us in this score, while at all times respectful of Ravel, is not an imitation gaspsrd Ravel but has a good deal of Marius Constant in it; and that, after all, is more in line with the thinking on Ravel’s part that produced the extraordinary composite work that is the “standard?

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